{"id":3747,"date":"2015-10-14T10:10:29","date_gmt":"2015-10-14T09:10:29","guid":{"rendered":"http:\/\/localhost\/cequireste\/?p=3747"},"modified":"2017-09-03T10:05:31","modified_gmt":"2017-09-03T10:05:31","slug":"raphael-dormoy","status":"publish","type":"post","link":"https:\/\/cequireste.fr\/?p=3747","title":{"rendered":"L\u2019Amorgos"},"content":{"rendered":"

\u00ab<\/span> Il te faudra<\/p>\n

 <\/p>\n

\u00d4ter tes habits de lumi\u00e8re
\nSi tu veux entrer dans la fra\u00eecheur
\nDe ce que quelques fous<\/p>\n

 <\/p>\n

Nomment par\u00adfois \u00bb<\/p>\n

 <\/p>\n

Po\u00e8mes de Rapha\u00ebl Dormoy
\nextraits de L\u2019A\u00admor\u00adgos<\/em><\/p><\/blockquote>\n

\u00ab<\/span> L\u2019horizon n\u2019existe pas, c\u2019est la rai\u00adson pour laquelle les hommes ont inven\u00adt\u00e9 les dieux. \u00bb<\/p>\n

L\u2019Amorgos<\/em>, Port de Pir\u00e9e, Prin\u00adtemps 2011<\/p>\n

<\/h1>\n

1.<\/h2>\n

Les prin\u00adtemps pourtant
\nRefleurissent<\/p>\n

Par\u00admi les ruines
\nLes jas\u00admins qui bor\u00addaient le sentier<\/p>\n

S\u2019ouvrent dans le silence<\/p>\n

Merle mil\u00adl\u00e9\u00adnaire<\/p>\n

Ce qui autrefois
\nSem\u00adblait une cit\u00e9 prosp\u00e8re<\/p>\n

S\u2019est \u00e9teint comme le souvenir
\nD\u2019une mer lointaine<\/p>\n

<\/h1>\n

8.<\/h2>\n

Les ruis\u00adseaux sont les m\u00eames
\nPar\u00adtout c\u2019est la m\u00eame rumeur
\nQui enve\u00adloppe le corps<\/p>\n

Alors<\/p>\n

\u00c0 quoi bon rete\u00adnir le temps
\nQuand les racines de l\u2019\u00eatre
\nS\u2019y enfoncent<\/p>\n

Toi<\/p>\n

Vieil escroc qui a tout fait
\nPour me vendre tes dieux
\nEt tes babioles d\u2019esclave<\/p>\n

Il te faudra<\/p>\n

\u00d4ter tes habits de lumi\u00e8re
\nSi tu veux entrer dans la fra\u00eecheur
\nDe ce que quelques fous<\/p>\n

Nomment par\u00adfois<\/p>\n

<\/h1>\n

11.<\/h2>\n

Une mani\u00e8re de bleu<\/p>\n

Comme si la c\u00f4te
\nNe tou\u00adchait plus l\u2019\u00eele<\/p>\n

\u00c0 cette hauteur<\/p>\n

Le sen\u00adtier
\nCrous\u00adtille sous les semelles<\/p>\n

Les fleurs ont v\u00eatu
\nTous les atours de la lumi\u00e8re<\/p>\n

Tan\u00addis que le vent
\nPar\u00adfume au-del\u00e0 de l\u2019instant<\/p>\n

O\u00f9 le regard
\nS\u2019est tour\u00adn\u00e9 vers l\u2019int\u00e9rieur<\/p>\n

<\/h1>\n

13.<\/h2>\n

C\u2019est le pre\u00admier soir
\nQue la lune appara\u00eet
\nEt la carte des \u00e9toiles<\/p>\n

Je n\u2019effacerai rien, dit-il
\nJe gar\u00adde\u00adrai aus\u00adsi sur ma peau
\nCelle de l\u2019effort<\/p>\n

Que leurs territoires
\nImpr\u00e8gnent mes r\u00eaves
\nO pauvre p\u00eacheur<\/p>\n

Sou\u00adpire-t-il, en s\u2019enroulant
\nDans le filet du sommeil<\/p>\n

<\/h1>\n

18.<\/h2>\n

Tu entends
\nLa res\u00adpi\u00adra\u00adtion de la mer<\/p>\n

Cette mani\u00e8re qu\u2019elle a
\nDe rou\u00adler sur les galets<\/p>\n

D\u2019appesantir le regard
\nO\u00f9 que porte l\u2019horizon<\/p>\n

Tu vois l\u00e0-bas
\nC\u2019est comme \u00e7a qu\u2019ils font<\/p>\n

Ils leur tranchent l\u2019\u00e2me
\nEt la rejettent \u00e0 la mer<\/p>\n

<\/h1>\n

19.<\/h2>\n

La ques\u00adtion n\u2019est pas de faire
\nNi d\u2019\u00eatre le faire<\/p>\n

L\u2019une et l\u2019autre dimension
\nSont aus\u00adsi lointaines<\/p>\n

Que les mou\u00adve\u00adments de la s\u00e8ve
\nOu le d\u00e9sir de r\u00e9colte<\/p>\n

As-tu remar\u00adqu\u00e9 cette feuille
\nQui te pousse sur le bras<\/span><\/p>\n

<\/h1>\n

24.<\/h2>\n

Est-ce le jour ou la lune
\nQui se l\u00e8ve der\u00adri\u00e8re la montagne<\/p>\n

Quelques nu\u00e9es blanches
\nD\u00e9tachent lentement
\nLe ciel de la mer<\/p>\n

Bien\u00adt\u00f4t<\/p>\n

L\u2019oscillation du pont
\nLaisse appara\u00eetre<\/p>\n

Une ligne d\u2019horizon<\/p>\n

L\u2019Amorgos <\/em>sonne le d\u00e9part<\/p>\n

Il se l\u00e8ve
\nLa prend dans sa main<\/p>\n

Tan\u00addis que le navire
\n\u00c9loigne l\u2019instant<\/p>\n

\n

Rapha\u00ebl Dormoy <\/strong><\/h4>\n

N\u00e9 en 1977, Rapha\u00ebl Dor\u00admoy vit \u00e0 Paris. Tra\u00advaille essen\u00adtiel\u00adle\u00adment le lieu de la forme courte (r\u00e9cit, nou\u00advelle, fic\u00adtion\u2026). Publi\u00adca\u00adtion du Mani\u00adfeste de l\u2019\u00e9ventail<\/em><\/a> \u00e0 compte d\u2019auteur en 2010. L\u2019Amorgos<\/em> est un recueil de po\u00e8mes qui prend source et racines en Gr\u00e8ce. Rapha\u00ebl Dor\u00admoy dif\u00adfuse une par\u00adtie de son tra\u00advail sur son site : raphaeldormoy.net<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab<\/span> Il te faudra<\/p>\n

\u00d4ter tes habits de lumi\u00e8re
\nSi tu veux entrer dans la fra\u00eecheur
\nDe ce que quelques fous<\/p>\n

Nomment par\u00adfois \u00bb<\/p>\n

Po\u00e8mes de Rapha\u00ebl Dormoy
\nextraits de L\u2019Amorgos <\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[539],"tags":[278],"coauthors":[540],"class_list":["post-3747","post","type-post","status-publish","format-standard","hentry","category-raphael-dormoy","tag-vers"],"yoast_head":"\nL\u2019Amorgos - Ce qui reste<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cequireste.fr\/?p=3747\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019Amorgos - Ce qui reste\" \/>\n<meta property=\"og:description\" content=\"\u00ab Il te faudra \u00d4ter tes habits de lumi\u00e8re Si tu veux entrer dans la fra\u00eecheur De ce que quelques fous Nomment parfois \u00bb Po\u00e8mes de Rapha\u00ebl Dormoy extraits de L'Amorgos\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cequireste.fr\/?p=3747\" \/>\n<meta property=\"og:site_name\" content=\"Ce qui reste\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cequireste\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-10-14T09:10:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-09-03T10:05:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cequireste.fr\/wp-content\/uploads\/2017\/09\/logo.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Rapha\u00ebl Dormoy\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@cequireste\" \/>\n<meta name=\"twitter:site\" content=\"@cequireste\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Revue Ce qui reste\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n\t<meta name=\"twitter:label3\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data3\" content=\"Rapha\u00ebl Dormoy\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/cequireste.fr\\\/?p=3747#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cequireste.fr\\\/?p=3747\"},\"author\":{\"name\":\"Revue Ce qui reste\",\"@id\":\"https:\\\/\\\/cequireste.fr\\\/#\\\/schema\\\/person\\\/d30a91bade98621797a6c7aee9b17bb1\"},\"headline\":\"L\u2019Amorgos\",\"datePublished\":\"2015-10-14T09:10:29+00:00\",\"dateModified\":\"2017-09-03T10:05:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/cequireste.fr\\\/?p=3747\"},\"wordCount\":496,\"publisher\":{\"@id\":\"https:\\\/\\\/cequireste.fr\\\/#organization\"},\"keywords\":[\"Vers\"],\"articleSection\":[\"Rapha\u00ebl Dormoy\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/cequireste.fr\\\/?p=3747\",\"url\":\"https:\\\/\\\/cequireste.fr\\\/?p=3747\",\"name\":\"L\u2019Amorgos - 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