{"id":3116,"date":"2015-03-06T12:12:18","date_gmt":"2015-03-06T11:12:18","guid":{"rendered":"http:\/\/localhost\/cequireste\/?p=3116"},"modified":"2017-09-04T07:58:54","modified_gmt":"2017-09-04T07:58:54","slug":"jacques-sicard-3","status":"publish","type":"post","link":"https:\/\/cequireste.fr\/?p=3116","title":{"rendered":"Trois films en&nbsp;prose"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h2>&nbsp;Le Navire Night de Marguerite Duras<\/h2>\n<p style=\"text-align: justify;\">Sur la bande son, deux voix au t\u00e9l\u00e9\u00adphone, l\u2019une f\u00e9mi\u00adnine, l\u2019autre mas\u00adcu\u00adline, parlent d\u2019\u00e9\u00admoi, s\u2019en\u00adlacent de ne conna\u00eetre que leurs voix, jouissent d\u2019a\u00advoir foi en leur seul ima\u00adgi\u00adnaire exal\u00adt\u00e9 par les sons dif\u00adf\u00e9\u00adrem\u00adment sexu\u00e9s. Cela pour\u00adrait durer des ann\u00e9es. Cela dure\u00adra des ann\u00e9es.<br>\nSur la bande image, deux mains ano\u00adnymes maquillent tour \u00e0 tour deux visages de femmes et un visage d\u2019homme, le sub\u00adtil alli\u00e9 au soin de l\u2019ap\u00adpr\u00eat cos\u00adm\u00e9\u00adtique \u00e9voque le cuivre de la f\u00eate, les lam\u00adpions du bal, l\u2019\u00e9lec\u00adtri\u00adci\u00adt\u00e9 de la sc\u00e8ne, la flamme du bou\u00addoir \u2014 le ren\u00addez-vous d\u2019a\u00admour qui ne sau\u00adrait attendre.<br>\nIl n\u2019y aura cepen\u00addant bou\u00addoir, sc\u00e8ne ni f\u00eate. Insen\u00adsi\u00adble\u00adment, le phra\u00ads\u00e9 se sub\u00adsti\u00adtue \u00e0 la phrase tant les mots sont de musique et non de gorge. L\u2019\u00e9\u00adbri\u00e9\u00adt\u00e9 sen\u00adsuelle due \u00e0 la s\u00e9pa\u00adra\u00adtion comble au-del\u00e0 de la pro\u00admesse du ren\u00addez-vous. La mati\u00e8re est d\u00e9truite par la forme. Et la ges\u00adtuelle experte du patri\u00adcien visa\u00adgiste s\u2019ap\u00adpa\u00adrente \u00e0 l\u2019art mor\u00adtuaire du thanatopracteur.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3117\" src=\"http:\/\/localhost\/cequireste\/wp-content\/uploads\/2015\/02\/navirenight-300x205.jpg\" alt=\"navirenight\" width=\"401\" height=\"274\"><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\">Blackmail (Chantage \u2014&nbsp;1929)<br>\nd\u2019Alfred Hitchcock<\/h2>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">- 1.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">His\u00adtoire que raconte un plan (qui ne raconte pas expli\u00adci\u00adte\u00adment l\u2019his\u00adtoire du film \u2014 qui en est plu\u00adt\u00f4t l\u2019inconscient)&nbsp;:<br>\nDes hommes, qui s\u2019a\u00adv\u00e8rent \u00eatre des poli\u00adciers, sont ados\u00ads\u00e9s \u00e0 une cloi\u00adson de part et d\u2019autre d\u2019une porte&nbsp;close.<br>\nDer\u00adri\u00e8re la porte, allon\u00adg\u00e9 sur un lit, un homme feuillette un journal.<br>\nCelui-ci, ouvert, le masque enti\u00e8\u00adre\u00adment, \u00e0 l\u2019ex\u00adcep\u00adtion de sa main droite qui tient une de ses feuilles \u00e0 hau\u00adteur de l\u2019angle droit.<br>\nDu m\u00eame c\u00f4t\u00e9, une table de nuit o\u00f9 est pos\u00e9 un r\u00e9vol\u00adver \u2014 r\u00e9vol\u00adver que semble pro\u00adlon\u00adger \u00e0 la ver\u00adti\u00adcale sur le mur l\u2019ombre por\u00adt\u00e9e de la feuille et de la main. La lumi\u00e8re vient de la gauche, sans doute d\u2019une fen\u00eatre invisible.<br>\nPres\u00adsen\u00adtant le dan\u00adger sans vou\u00adloir le mon\u00adtrer, l\u2019homme fait len\u00adte\u00adment glis\u00adser sa main le long de l\u2019a\u00adr\u00eate de la feuille \u2014 l\u2019ombre de la main entame le m\u00eame mou\u00adve\u00adment le long de l\u2019ombre de l\u2019ar\u00eate.<br>\nLorsque la main r\u00e9elle est \u00e0 por\u00adt\u00e9e de l\u2019arme, tout se passe comme si son ombre s\u2019en saisissait.<br>\nC\u2019est \u00e0 ce moment-l\u00e0 que la cap\u00adture inter\u00advient, qu\u2019on menotte la main vive et que sa veuve noire, en esprit, tire tant qu\u2019elle peut dans le dos des cognes.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">- 2.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">\u00c9l\u00e9\u00adgance et sub\u00adti\u00adli\u00adt\u00e9 du d\u00e9cou\u00adpage et du mon\u00adtage de Bla\u00adck\u00admail de Alfred Hit\u00adch\u00adcock \u2014 mais sur\u00adtout intel\u00adli\u00adgence de leur perversit\u00e9.<br>\nLe d\u00e9cou\u00adpage suit une ligne claire qu\u2019in\u00adcarne le r\u00e9cit ou l\u2019his\u00adtoire poli\u00adci\u00e8re du film. Le mon\u00adtage arti\u00adcule la ligne bri\u00ads\u00e9e des plans qui cha\u00adcun raconte sa propre his\u00adtoire. L\u2019une et l\u2019autre lignes se dis\u00adtinguent en se tissant.<br>\nLa seconde se pr\u00e9\u00adsente comme l\u2019in\u00adcons\u00adcient de la pre\u00admi\u00e8re. Incons\u00adcient dont l\u2019es\u00adsen\u00adtiel n\u2019est pas moral, dans un chan\u00adge\u00adment \u00e0 vue des notions de Bien et de Mal, la farce des valeurs \u00e9chan\u00adgeant impu\u00adn\u00e9\u00adment le car\u00adna\u00adva\u00adlesque de leurs cos\u00adtumes \u2014 bien que cette dimen\u00adsion y soit aus\u00adsi \u2014 mais dans les ques\u00adtions tr\u00e8s contem\u00adpo\u00adraines de savoir com\u00adment faire pour qu\u2019une ombre aille plus vite que l\u2019ob\u00adjet qui la pro\u00adjette ? com\u00adment un geste peut-il anti\u00adci\u00adper sa d\u00e9ci\u00adsion consciente au point de pro\u00adnon\u00adcer leur divorce ? com\u00adment un ou plu\u00adsieurs per\u00adson\u00adnages peuvent-ils \u00eatre et vivants et morts dans le m\u00eame plan ? com\u00adment gifler un enfant afin que l\u2019a\u00addulte qu\u2019il sera ne res\u00adsemble pas \u00e0 ses sin\u00adge\u00adries de petit homme (affaire \u00e9mi\u00adnem\u00adment hit\u00adch\u00adco\u00adckienne dans la sc\u00e8ne du m\u00e9tro) \u2014 oui, comment&nbsp;?<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-3118\" src=\"http:\/\/localhost\/cequireste\/wp-content\/uploads\/2015\/02\/pasolini-300x176.jpg\" alt=\"pasolini\" width=\"462\" height=\"271\"><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\">Pasolini<br>\nd\u2019Abel Ferrara<\/h2>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Quelle \u00e9toile sui\u00advez-vous, Pier Pao\u00adlo Paso\u00adli\u00adni ? La m\u00eame et tou\u00adjours chan\u00adgeante. Un jour loin\u00adtain, elle prit nom de ragaz\u00adzi et se tint \u00e0 l\u2019a\u00adplomb des bor\u00adgate, jus\u00adqu\u2019\u00e0 ce que le \u00ab&nbsp;capi\u00adta\u00adlisme social&nbsp;\u00bb fit en sorte et sem\u00adblant de n\u2019ou\u00adblier per\u00adsonne dans la dis\u00adtri\u00adbu\u00adtion de ses divi\u00addendes. Une autre jour, elle s\u2019ap\u00adpe\u00adla sexe et trois de ses huit rayons enflam\u00adm\u00e8rent Bag\u00addad, Flo\u00adrence et Can\u00adter\u00adbu\u00adry \u2014 avant que l\u2019a\u00adve\u00adnir vrai ne s\u2019ouvre \u00e0 la reli\u00adgion consu\u00adm\u00e9\u00adriste de la chair, fas\u00adciste en ce qu\u2019elle n\u2019ad\u00admet contra\u00addic\u00adtion ni dehors. Trompe-l\u2019\u0153il qui n\u2019a\u00adbuse que moi, tan\u00adt\u00f4t son \u00e9clat s\u2019a\u00adligne sur le mai des cloches de la jeu\u00adnesse, tan\u00adt\u00f4t sur le visage de sucre p\u00e9tri d\u2019une m\u00e8re \u2014 quand ce n\u2019est la po\u00e9\u00adsie, le cin\u00e9\u00adma ou les lin\u00e9a\u00adments m\u00eal\u00e9s de mes amants. Je crois pour\u00adtant que m\u00eame au c\u0153ur incan\u00addes\u00adcent je n\u2019ai jamais rien igno\u00adr\u00e9 de sa teneur en fias\u00adco. Je sais. J\u2019ai tou\u00adjours su. Ce soir, l\u2019\u00e9\u00adtoile est \u00e0 la ver\u00adti\u00adcale de ma cal\u00advi\u00adtie nais\u00adsante. Elle \u00e9claire une poi\u00adgn\u00e9e de sable qu\u2019au\u00adcun cou\u00adchant n\u2019a tein\u00adt\u00e9e du rose de l\u2019O\u00adres\u00adtie. Un va me jouir. Puis tout va finir. Et conti\u00adnuer par d\u2019autres pires. C\u2019est l\u2019ange de l\u2019histoire.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp;Le Navire Night de Mar\u00adgue\u00adrite Duras Sur la bande son, deux voix au t\u00e9l\u00e9\u00adphone, l\u2019une f\u00e9mi\u00adnine, l\u2019autre mas\u00adcu\u00adline, parlent d\u2019\u00e9\u00admoi, s\u2019en\u00adlacent de ne conna\u00eetre que leurs voix, jouissent d\u2019a\u00advoir foi en leur seul ima\u00adgi\u00adnaire exal\u00adt\u00e9 par les sons dif\u00adf\u00e9\u00adrem\u00adment sexu\u00e9s. Cela pour\u00adrait durer des ann\u00e9es. Cela dure\u00adra des ann\u00e9es. Sur la bande image, deux&nbsp;[\u2026]<\/p>\n","protected":false},"author":2,"featured_media":5285,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[571],"tags":[573,281],"coauthors":[572],"class_list":["post-3116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jacques-sicard","tag-cinema","tag-prose"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Trois films en prose - Ce qui reste<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cequireste.fr\/?p=3116\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trois films en prose - Ce qui reste\" \/>\n<meta property=\"og:description\" content=\"&nbsp; &nbsp;Le Navire Night de Marguerite Duras Sur la bande son, deux voix au t\u00e9l\u00e9\u00adphone, l\u2019une f\u00e9mi\u00adnine, l\u2019autre mas\u00adcu\u00adline, parlent d\u2019\u00e9\u00admoi, s\u2019en\u00adlacent de ne conna\u00eetre que leurs voix, jouissent d\u2019a\u00advoir foi en leur seul ima\u00adgi\u00adnaire exal\u00adt\u00e9 par les sons dif\u00adf\u00e9\u00adrem\u00adment sexu\u00e9s. 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Cela pour\u00adrait durer des ann\u00e9es. Cela dure\u00adra des ann\u00e9es. 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