{"id":2806,"date":"2014-12-11T12:12:48","date_gmt":"2014-12-11T10:12:48","guid":{"rendered":"http:\/\/localhost\/cequireste\/?p=2806"},"modified":"2017-09-04T16:52:58","modified_gmt":"2017-09-04T16:52:58","slug":"jacques-sicard3","status":"publish","type":"post","link":"https:\/\/cequireste.fr\/?p=2806","title":{"rendered":"Note sur P\u2019tit Quinquin de Bruno Dumont"},"content":{"rendered":"

 <\/p>\n

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- 1.<\/p>\n

 La Terre ne bouge pas, elle se moque bien des convul\u00adsions dont l\u2019es\u00adp\u00e8ce humaine est la proie : l\u2019\u00e9\u00adlas\u00adti\u00adci\u00adt\u00e9 al\u00e9a\u00adtoire des corps caou\u00adtchou\u00adteux atteints de cho\u00adr\u00e9e, les traits des visages aux vices de confor\u00adma\u00adtion qui excluent la via\u00adbi\u00adli\u00adt\u00e9, les mots en bouche comme l\u2019in\u00adsecte dans les poils gluants du dro\u00ads\u00e9\u00adra, le sale humour que cela pro\u00adduit et l\u2019as\u00adsas\u00adsi\u00adnat par surcro\u00eet .
\nLa Terre ne tourne m\u00eame plus, arr\u00ea\u00adt\u00e9e sur un fond de pay\u00adsage du Nord de la France confi\u00adn\u00e9 entre quatre murs de ciel gris bleu o\u00f9 se cogne un \u00e9chan\u00adtillon d\u2019hu\u00adma\u00adni\u00adt\u00e9 extraite des bocaux de quelque ins\u00adti\u00adtut m\u00e9di\u00adco-l\u00e9gal \u2014 que Bru\u00adno Dumont filme \u00e0 la mani\u00e8re des com\u00adpo\u00adsi\u00adtions sen\u00adsuelles de la pein\u00adture fla\u00admande des XVIe et XVIIe si\u00e8cles.
\nLa Terre sourde, la mons\u00adtruo\u00adsi\u00adt\u00e9 pas\u00adsante, la beau\u00adt\u00e9 sur\u00adhu\u00admaine : leur ren\u00adcontre induit une pers\u00adpec\u00adtive d\u00e9cen\u00adtr\u00e9e qui oriente le regard ima\u00adgi\u00adnaire du spec\u00adta\u00adteur vers un coin tou\u00adjours chan\u00adgeant de l\u2019i\u00admage \u2014 coin qui abrite ni l\u2019in\u00advi\u00adsible de la croyance ni la rau\u00adci\u00adt\u00e9 pal\u00adpable du n\u00e9ant, mais un fol espace de r\u00e9mission.<\/p>\n

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- 2.<\/p>\n

 Le monde dans lequel se r\u00e9a\u00adlise nos actions n\u2019est pas le monde dans lequel nous les avons pen\u00ads\u00e9es. Dans l\u2019un, il n\u2019est pas de repen\u00adtir ; dans l\u2019autre, \u00e0 l\u2019in\u00adverse, on ne cesse de d\u00e9faire et de refaire. Le trait d\u2019in\u00adcom\u00adpa\u00adti\u00adbi\u00adli\u00adt\u00e9 entre les deux est fait d\u2019un ali\u00adgne\u00adment de t\u00eates fra\u00ee\u00adche\u00adment cou\u00adp\u00e9es telles que G\u00e9ri\u00adcault au crayon noir en fit l\u2019\u00e9tude.
\nDans P\u2019tit Quin\u00adquin, est-ce cette divi\u00adsion int\u00e9\u00adrieure de l\u2019ex\u00adp\u00e9\u00adrience qui conf\u00e8re \u00e0 cer\u00adtains une allure \u00e9brieuse ? Ou bien doivent-ils leur \u00e9bri\u00e9\u00adt\u00e9 \u00e0 l\u2019a\u00adban\u00addon de toute action ? Dans ce cas, leurs yeux se d\u00e9com\u00adposent en un \u0153il de b\u00eate qui n\u2019a pas de contre\u00adchamp (comme ces che\u00advaux blancs dans l\u2019angle d\u2019une cour de ferme) et un \u0153il de b\u00eate humaine qui n\u2019est que contre\u00adchamp, c\u2019est-\u00e0-dire images. D\u2019o\u00f9 ce sen\u00adti\u00adment, lors d\u2019un contre\u00adchamp, d\u2019\u00eatre ailleurs sans avoir chan\u00adger de place.<\/p>\n

<\/a><\/p>\n

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- 3.<\/p>\n

 Une extra\u00adva\u00adgante lai\u00addeur ani\u00adm\u00e9e par la danse de Saint-Guy, tel appa\u00adra\u00eet P\u2019tit Quin\u00adquin. En quoi il est l\u2019af\u00adfir\u00adma\u00adtion la plus ori\u00adgi\u00adnale, la plus constante aus\u00adsi, d\u2019une vision de vie explo\u00adsive et de ce fait non-totalisante.
\nP\u2019tit Quin\u00adquin est une pein\u00adture \u00e0 l\u2019encre \u00e9cla\u00adbous\u00ads\u00e9e, \u00e0 ceci pr\u00e8s que l\u2019encre est de sang. Du sang jaillis\u00adsant par\u00adtout. Qui rend impos\u00adsible la consti\u00adtu\u00adtion d\u2019un homme fini, c\u2019est-\u00e0-dire d\u2019un homme avec une \u00e2me b\u00e2t\u00e9e.
\nDes \u00e9cla\u00adbous\u00adsures maintes fois r\u00e9p\u00e9\u00adt\u00e9es, du feu d\u2019ar\u00adti\u00adfice d\u2019\u00e9\u00adcla\u00adbous\u00adsures san\u00adglantes, s\u2019\u00e9\u00adchappent in fine mille lucioles, mille f\u00e9es Clo\u00adchette dot\u00e9es des seins Debra Paget. Magie noire.<\/p>\n

 <\/p>\n

- 4.<\/p>\n

 P\u2019tit Quin\u00adquin avec sa gueule qui mixe l\u2019embryon, le bou\u00adle\u00addogue fran\u00ad\u00e7ais et James Cagney dans L\u2019En\u00adfer est \u00e0 Lui de Raoul Walsh \u2014 Eve, au retrait de ses pru\u00adnelles, sa petite amou\u00adreuse pr\u00e9\u00adpo\u00ads\u00e9e au cor-trom\u00adpette-et-cor-de-chasse de la fan\u00adfare locale \u2014 ils s\u2019\u00e9\u00adtreignent comme s\u2019il avait d\u00e8s l\u2019en\u00adfance br\u00fb\u00adl\u00e9 tous les vais\u00adseaux de l\u2019a\u00admour \u2014 bon d\u00e9bar\u00adras! en d\u00e9pit de la can\u00adtate de Bach et de Paso\u00adli\u00adni qu\u2019on devine tapi der\u00adri\u00e8re le bun\u00adker san\u00adglant, la t\u00eate dans les mains \u2014 oui, bon d\u00e9bar\u00adras \u2014 le ciel est plein de faux-rac\u00adcords de gris tour\u00adte\u00adrelle et de bleu solaire, le cau\u00adche\u00admar psy\u00adcho\u00admo\u00adteur a pris au final un tour anes\u00adth\u00e9\u00adsi\u00e9 de mus\u00e9e de cire, rien n\u2019est alors plus beau que la croupe blanche d\u2019un che\u00adval de trait \u00e9chap\u00adp\u00e9 d\u2019une toile d\u2019A\u00addam Frans van der Meulen.<\/p>\n","protected":false},"excerpt":{"rendered":"

    \u2014 1.  La Terre ne bouge pas, elle se moque bien des convul\u00adsions dont l\u2019es\u00adp\u00e8ce humaine est la proie : l\u2019\u00e9\u00adlas\u00adti\u00adci\u00adt\u00e9 al\u00e9a\u00adtoire des corps caou\u00adtchou\u00adteux atteints de cho\u00adr\u00e9e, les traits des visages aux vices de confor\u00adma\u00adtion qui excluent la via\u00adbi\u00adli\u00adt\u00e9, les mots en bouche comme l\u2019in\u00adsecte dans les poils gluants du dro\u00ads\u00e9\u00adra, le [\u2026]<\/p>\n","protected":false},"author":2,"featured_media":5441,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[571],"tags":[573,281],"coauthors":[572],"class_list":["post-2806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jacques-sicard","tag-cinema","tag-prose"],"yoast_head":"\nNote sur P'tit Quinquin de Bruno Dumont - Ce qui reste<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cequireste.fr\/?p=2806\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Note sur P'tit Quinquin de Bruno Dumont - 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