{"id":2205,"date":"2014-09-11T12:12:08","date_gmt":"2014-09-11T10:12:08","guid":{"rendered":"http:\/\/localhost\/cequireste\/?p=2205"},"modified":"2017-09-05T10:30:08","modified_gmt":"2017-09-05T10:30:08","slug":"jacques-sicard-2","status":"publish","type":"post","link":"https:\/\/cequireste.fr\/?p=2205","title":{"rendered":"Deux notes cin\u00e9matographiques"},"content":{"rendered":"

 <\/p>\n

<\/a>Notes sur La R\u00e9gion centrale<\/em> de Michael Snow<\/h2>\n

 <\/p>\n

Ac\u00e9\u00adphale<\/em>, revue diri\u00adg\u00e9e par Georges Bataille de 1936 \u00e0 1939.
\n\u00ab Le corps sans organes \u00bb expres\u00adsion for\u00admu\u00adl\u00e9e par Artaud dans Pour en finir avec le juge\u00adment de Dieu<\/em> (1947) et pla\u00adc\u00e9 au rang de concept par Deleuze et Guat\u00adta\u00adri (1972).
\nAu croi\u00adse\u00adment de la vis\u00e9e sau\u00advage, pr\u00e9\u00adhu\u00admaine de Bataille et de l\u2019ex\u00e9\u00adcra\u00adtion phy\u00adsique d\u2019Ar\u00adtaud, comme leur fugi\u00adtive conden\u00adsa\u00adtion : l\u2019\u0153il de la machine fil\u00admant fich\u00e9e dans le sol de La R\u00e9gion cen\u00adtrale<\/em> de Michael Snow (1970) ; \u0153il qui voit en rond (comme celui du per\u00adson\u00adnage de La Ronde<\/em> ophul\u00adsienne) ; \u0153il m\u00e9ca\u00adnique qui \u00e9met sa propre lumi\u00e8re, mais ne cap\u00adture presque rien (images d\u00e9la\u00adv\u00e9es, d\u00e9teintes, d\u2019\u00e9\u00adpui\u00adse\u00adment d\u2019un monde), car l\u2019in\u00adten\u00adsi\u00adt\u00e9 de son auto\u00adno\u00admie en fait un organe (au sens ins\u00adtru\u00admen\u00adtal du terme) mas\u00adsif, \u00e0 l\u2019exemple de ces \u00e9toiles dont le champ gra\u00advi\u00adta\u00adtion\u00adnel est si puis\u00adsant qu\u2019il emp\u00eache toute lumi\u00e8re \u00e9mise de jamais s\u2019\u00e9\u00adchap\u00adper, ce qui les rend invi\u00adsibles. \u00c9toiles sombres, noir \u0153il.<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Notes sur \u00c0 la recherche de Vivian Maier<\/em> de John Maloof et Charlie Siskel<\/h2>\n

 <\/p>\n

Une pho\u00adto\u00adgra\u00adphie est une fen\u00eatre. Une pho\u00adto\u00adgra\u00adphie d\u2019un visage est une fen\u00eatre qui ouvre sur une autre fen\u00eatre \u2014 qui elle n\u2019ouvre sur rien.
\nLe visage est sans accueil, il est l\u2019in\u00adhos\u00adpi\u00adta\u00adli\u00adt\u00e9 m\u00eame \u2014 aller vers lui n\u2019est jamais qu\u2019au risque de se perdre. C\u2019est pour cette rai\u00adson que certain(e)s depuis qu\u2019on peut le photographient.
\nOn pho\u00adto\u00adgra\u00adphie une t\u00eate pour se d\u00e9fro\u00adquer de l\u2019\u00eatre. Pour dis\u00adpa\u00adra\u00eetre. Rien ne se fait du jour au len\u00adde\u00admain. Long\u00adtemps le por\u00adtrai\u00adtiste se r\u00e9fl\u00e9\u00adchit dans le por\u00adtrait comme un vieux mur qui s\u2019\u00e9\u00adcaille, enva\u00adhi par le sal\u00adp\u00eatre et qui sent fort l\u2019hu\u00admi\u00addi\u00adt\u00e9. Long\u00adtemps il hante en gueule cas\u00ads\u00e9e les traits qu\u2019il a fix\u00e9s. Il y vit d\u2019une demi-vie.
\nEt puis, tout impr\u00e9\u00advi\u00adsi\u00adble\u00adment, vient le moment o\u00f9 le visage-fen\u00eatre n\u2019est plus com\u00adpo\u00ads\u00e9 que des formes de son iden\u00adti\u00adt\u00e9. Il n\u2019y a plus de reflet, plus rien d\u2019\u00e9\u00adtran\u00adger sur le verre. Si l\u2019on excepte un coin de sur\u00adface d\u00e9po\u00adlie qui sug\u00adg\u00e8re le banc de bois, d\u00e9sor\u00admais vide, o\u00f9 s\u2019as\u00adseyait Vivian Maier.<\/p>\n","protected":false},"excerpt":{"rendered":"

  Notes sur La R\u00e9gion cen\u00adtrale de Michael Snow   Ac\u00e9\u00adphale, revue diri\u00adg\u00e9e par Georges Bataille de 1936 \u00e0 1939. \u00ab Le corps sans organes \u00bb expres\u00adsion for\u00admu\u00adl\u00e9e par Artaud dans Pour en finir avec le juge\u00adment de Dieu (1947) et pla\u00adc\u00e9 au rang de concept par Deleuze et Guat\u00adta\u00adri (1972). Au croi\u00adse\u00adment de la vis\u00e9e sau\u00advage, pr\u00e9humaine [\u2026]<\/p>\n","protected":false},"author":2,"featured_media":5485,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[571],"tags":[573,281],"coauthors":[572],"class_list":["post-2205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jacques-sicard","tag-cinema","tag-prose"],"yoast_head":"\nDeux notes cin\u00e9matographiques - Ce qui reste<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cequireste.fr\/?p=2205\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Deux notes cin\u00e9matographiques - Ce qui reste\" \/>\n<meta property=\"og:description\" content=\"  Notes sur La R\u00e9gion centrale de Michael Snow   Ac\u00e9\u00adphale, revue diri\u00adg\u00e9e par Georges Bataille de 1936 \u00e0 1939. \u00ab Le corps sans organes \u00bb expres\u00adsion for\u00admu\u00adl\u00e9e par Artaud dans Pour en finir avec le juge\u00adment de Dieu (1947) et pla\u00adc\u00e9 au rang de concept par Deleuze et Guat\u00adta\u00adri (1972). 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