{"id":1870,"date":"2014-08-07T12:12:36","date_gmt":"2014-08-07T10:12:36","guid":{"rendered":"http:\/\/localhost\/cequireste\/?p=1870"},"modified":"2017-09-05T21:48:32","modified_gmt":"2017-09-05T21:48:32","slug":"jacques-sicard","status":"publish","type":"post","link":"https:\/\/cequireste.fr\/?p=1870","title":{"rendered":"Notes cin\u00e9matographiques"},"content":{"rendered":"

 <\/p>\n

Fass\u00adbin\u00adder a rai\u00adson : L\u2019a\u00admour est plus froid que la mort.
\nL\u2019a\u00admour pas\u00adsion\u00adnel passe par tous les \u00e9tats du feu, de la flamme aux cendres via les braises. Mais le sublime, il ne l\u2019at\u00adteint qu\u2019au c\u0153ur d\u2019un hiver igno\u00adr\u00e9 de l\u2019au\u00adto\u00adma\u00adtisme imb\u00e9\u00adcile des sai\u00adsons. La luci\u00addi\u00adt\u00e9 qui confine au cynisme est l\u2019air qu\u2019il res\u00adpire, de m\u00eame que sa couche \u00e9lec\u00adtive est la cise\u00adlure de la pierre volup\u00adtueuse aux gisants. Seul l\u2019a\u00adgr\u00e9e l\u2019\u0153il ouvert, le rel\u00e2\u00adche\u00adment des nerfs, dans les veines le sang lent, presque inau\u00addible. \u00ab Lorsque je lis un livre et qu\u2019il me pro\u00adcure une sen\u00adsa\u00adtion de froid telle qu\u2019au\u00adcun feu ne pour\u00adra jamais me r\u00e9chauf\u00adfer, je sais que c\u2019est de la po\u00e9\u00adsie \u00bb et de l\u2019a\u00admour, e\u00fbt pu ajou\u00adter Emi\u00adly Dickin\u00adson. Le Sime\u00adnon et le Mathieu Amal\u00adric de La Chambre bleue \u00e0 sa suite.<\/p>\n

<\/div>\n

Notes sur La Chambre bleue<\/em> de Mathieu Amalric<\/h2>\n

La trame d\u2019un roman de Sime\u00adnon croise un fil de cha\u00eene incar\u00adn\u00e9 par une per\u00adsonne tir\u00e9e de ce qui passe l\u2019a\u00adno\u00adny\u00admat : sor\u00adtie du retrait obs\u00adcur o\u00f9 elle \u00e9vite d\u2019ins\u00adtinct la vie pro\u00admise et un fil de trame o\u00f9 ladite per\u00adsonne, \u00e0 son corps d\u00e9fen\u00addant, endosse le cos\u00adtume du per\u00adson\u00adnage, par d\u00e9fi\u00adni\u00adtion ferment de pas\u00adsions contra\u00addic\u00adtoires, exemptes d\u2019a\u00adpai\u00adse\u00adment comme de logique psy\u00adcho\u00adlo\u00adgique, qu\u2019on appelle com\u00admu\u00adn\u00e9\u00adment une histoire.
\nLe tis\u00adsu de l\u2019\u00e9\u00adcri\u00adture doit \u00e0 cette \u00e9trange armure son d\u00e9dou\u00adble\u00adment ou, plu\u00adt\u00f4t, son effet de sub\u00adtil d\u00e9col\u00adle\u00adment qui fait mer\u00adveille dans l\u2019art de l\u2019es\u00adtampe : \u00e0 l\u2019a\u00advant-plan, le per\u00adson\u00adnage que n\u2019\u00e9\u00adpargne et qui lui-m\u00eame ne s\u2019\u00e9\u00adpargne aucune des p\u00e9ri\u00adp\u00e9\u00adties du drame souf\u00adfert \u2014 \u00e0 l\u2019ar\u00adri\u00e8re-plan, ombre por\u00adt\u00e9e appa\u00adrente du pre\u00admier, la per\u00adsonne, la t\u00eate de la per\u00adsonne qu\u2019emporte un man\u00e8ge san\u00adglant de ques\u00adtions, dont le caillot r\u00e9cur\u00adrent est : Pour\u00adquoi ? (Pour\u00adquoi suis-je l\u00e0 ? Pour\u00adquoi fais-je ceci ou cela ? Pour\u00adquoi ces chaus\u00adsures vont et viennent, si \u00e9tranges leur forme ? Pour\u00adquoi la fen\u00eatre de lumi\u00e8re sur le mur ne s\u2019ouvre-telle pas ? Pour\u00adquoi les yeux de cette femme me fixent-ils ? Pour\u00adquoi dans ma gorge un peu de l\u2019hu\u00admeur de son sexe \u00e9cor\u00adch\u00e9 et lui\u00adsant ?\u2026) et qui n\u2019as\u00adpire \u00e0 rien tant qu\u2019\u00e0 l\u2019embolie qui la ram\u00e8\u00adne\u00adrait \u00e0 la tran\u00adquilli\u00adt\u00e9 de son \u00e9tat originel.
\nDans La Chambre bleue<\/em>, Mathieu Amal\u00adric, usant d\u2019un d\u00e9cou\u00adpage flot\u00adtant, est \u00e0 ce jour le seul \u00e0 avoir r\u00e9us\u00adsi \u00e0 trans\u00adpo\u00adser sur le plan de l\u2019i\u00admage ani\u00adm\u00e9e la schi\u00adzo\u00adphr\u00e9\u00adnie \u00e9ber\u00adlu\u00e9e du tis\u00adsage simenonien.<\/p>\n

<\/div>\n

\u00c0 Sime\u00adnon<\/em>
\nIl a la ber\u00adlue, cet homme que manu mili\u00adta\u00adri une force incon\u00adnue, qu\u2019on nomme com\u00admu\u00adn\u00e9\u00adment l\u2019\u00c9\u00adcri\u00adture, \u00e9jecte de l\u2019ombre o\u00f9 il s\u2019ab\u00adsente \u2014 auquel ladite force scrip\u00adtu\u00adrale enfile le cos\u00adtume d\u2019un autre \u2014 cette sorte d\u2019autre qui suit le fil d\u2019une his\u00adtoire faute d\u2019a\u00advoir l\u2019as\u00adsise de l\u2019\u00eatre, ce qui est aus\u00adsi bien \u2014 et une his\u00adtoire \u00e7a ob\u00e9it aux r\u00e9gimes des pas\u00adsions, dont l\u2019al\u00adpha et l\u2019o\u00adme\u00adga sont l\u2019a\u00admour et la mort \u2014 l\u2019homme \u00e9ber\u00adlu\u00e9 ob\u00e9it, n\u2019ayant pas d\u2019al\u00adter\u00adna\u00adtive : il lape\u00adra en chat la jatte rou\u00adgeoyante du sexe d\u2019une femme et pour elle abat\u00adtra les murs et tue\u00adra sans mer\u00adci \u2014 n\u00e9an\u00admoins, jus\u00adqu\u2019au bout, il n\u2019au\u00adra de cesse de se regar\u00adder faire, les yeux exor\u00adbi\u00adt\u00e9s \u00e0 deux doigts de tom\u00adber au creux de ses paumes, ahu\u00adri comme un chien qu\u2019on bat, se deman\u00addant : Pour\u00adquoi ? obs\u00e9\u00add\u00e9 par l\u2019i\u00add\u00e9e de rega\u00adgner les cou\u00adlisses d\u2019o\u00f9 l\u2019a\u00adbus des phrases \u00e9crites l\u2019a tir\u00e9, ses narines hument le fin remue\u00adment de la pous\u00adsi\u00e8re qui avec le froid s\u2019en par\u00adtagent le silence quiet.<\/p>\n","protected":false},"excerpt":{"rendered":"

  Fass\u00adbin\u00adder a rai\u00adson : L\u2019a\u00admour est plus froid que la mort. L\u2019a\u00admour pas\u00adsion\u00adnel passe par tous les \u00e9tats du feu, de la flamme aux cendres via les braises. Mais le sublime, il ne l\u2019at\u00adteint qu\u2019au c\u0153ur d\u2019un hiver igno\u00adr\u00e9 de l\u2019au\u00adto\u00adma\u00adtisme imb\u00e9\u00adcile des sai\u00adsons. La luci\u00addi\u00adt\u00e9 qui confine au cynisme est l\u2019air qu\u2019il res\u00adpire, de [\u2026]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[571],"tags":[573,281],"coauthors":[572],"class_list":["post-1870","post","type-post","status-publish","format-standard","hentry","category-jacques-sicard","tag-cinema","tag-prose"],"yoast_head":"\nNotes cin\u00e9matographiques - Ce qui reste<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cequireste.fr\/?p=1870\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Notes cin\u00e9matographiques - Ce qui reste\" \/>\n<meta property=\"og:description\" content=\"  Fass\u00adbin\u00adder a rai\u00adson : L\u2019a\u00admour est plus froid que la mort. L\u2019a\u00admour pas\u00adsion\u00adnel passe par tous les \u00e9tats du feu, de la flamme aux cendres via les braises. Mais le sublime, il ne l\u2019at\u00adteint qu\u2019au c\u0153ur d\u2019un hiver igno\u00adr\u00e9 de l\u2019au\u00adto\u00adma\u00adtisme imb\u00e9\u00adcile des sai\u00adsons. 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